OSA Layout Challenge Cards

(Click on a photo to view a larger image.)

 In spite of the grueling schedule I have had to keep at work this past week, I managed to eke out  time to craft some cards for the weekly Oriental Stamp Arts challenges. I consider it art therapy to battle work-related stress.

For the card on the left, OSA Challenge #173, our challenge was to create a window card according to the layout provided.  This is a card with an aperture cut out to reveal part of the inner card design. For my card I chose fans and gingko leaves. They are a natural pair inasmuch as they have the same general shape. I stenciled the gingko leaves on the outer card layer using a 6" x 6" template from The Crafter's Workshop. The fans stamped on the inside of the card were colored with Prismacolor art pencils and highlighted with glittery gel pens. The fans were then masked and sponged with ink to create the soft green shading all around them.

For OSA Challenge #174, we were asked to make a card using a printed napkin as part of the decorative elements of the card. I decided to give myself a double challenge by also creating a card in a out-of-the-ordinary format. Because I enjoyed creating the twisted easel card for my daughter's graduation so much, I decided to use that format again. I am very happy with the way this card turned out and apparently the moderator for the OSA weekly challenges liked it enough to make the twisted easel format the subject of OSA Challenge #175.

I chose a circular rice paper napkin with a beautiful blue floral border for my card, spray glued it to a piece of white card stock, cut it into quarters and trimmed close to the edge of the image. A piece of gold-dotted handmade paper was layered onto the top of the card and a quarter of the napkin glued on top of it, trimming it as necessary to create the look as seen in the photo to the left. My biggest challenge was trying to get the flowers on the inside of the card to form a continuous semicircular image. I ended up cutting out and individually placing flowers for optimal results. I managed to use to rosebuds from the image as the stops for the upper 'easel' panel by placing foam squares behind them. The kanji symbol for summer on the upper panel is echoed by its English translation on the lower panel. Strategically placed gold Asian motif stickers, as well as some tiny golden dragonflies, coordinate well with the gold dotted background.

The beautiful butterfly is cut with coordinating Memory Box dies, one for the upper veins and another for the lower body. The body was cut from blue card stock and colored with pigment inks and gel pens. When I first got these dies, I loved them so much I cut and colored a bunch of butterflies just for the love of it so all I had to do was reach into my RTU (ready to use) stash and pick one out for this card.

Ballo ergo sum
- Gitana, the Creative Diva