The Persistence of Nature

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I don't have to tell you about the seriously ravaging weather we experienced this winter. It was brutal. Fortunately in the fall I had prepared some of my plants to survive the onslaught of the frigid temps and today I got a peek at some of the fruits of my labor. When the weather gets a little nippy, I place the plants I want to protect in my backyard shed which acts like a makeshift greenhouse. In addition, I place several plants on a rolling chrome cart that I cover over with bubble wrap to create an insulating cocoon. This way they are not only protected from the wind, they are just a little warmer than the air outside their "tent". Today I removed the plastic wrap to find...GREEN. My tiny tea roses are green and showing many new leaf buds. The garlic bulbs that had begun to sprout in October are still green and growing and my old vinca (really, it's gotta be at least five years old) is going like a champ. Some of the other plants in the "greenhouse" that did not benefit from the plastic cocoon are also showing signs life like the planter below right that contains a spike plant and some trailing ivy.


My backyard garden is not to be left behind. My faithful daffodils (which were planted over 20 years ago) are pushing up through what was permafrost just two weeks ago and some of my ferns never lost their green color in spite of the sub-arctic temperatures this winter brought.



Last fall I also took the precaution of adding a ridge pole to the hoop house in the front garden that I had erected over the raised bed I built two years ago. It had been blown over that first year by a nor'easter and was in serious need of stabilizing to prevent knock down. It was also draped in heavy plastic to insulate the plants inside. Frankly I didn't think it would hold up especially given the amount of snow we got this year but believe it or not it did. I can't wait to take a look underneath the plastic to see how my cilantro and garlic are doing.

Looks like spring is going all gang busters this year. Bring it on!

Ballo ergo sum
- Gitana, the Creative Diva

The Last Hurrah

The soft coolness of early fall has given way to the bitter chill of impending winter. Weather reports forecast temperatures dipping below the freezing mark and warned of possible overnight frost. That was the push I needed to evacuate my garden of the last of its crops and to finally see what was going on underground.

I had planted some sweet potatoes pieces that had sprouted in my cabinet because I left them in there too long and didn't eat them in time. Two years ago I had done the same thing with a piece a friend of mine was about to throw out. With my first attempt I was so excited and impatient to see the roots, I dug them up before they had fully matured. I didn't know I was supposed to allow the leaves to die back before harvesting them. This time I resolved to be patient and give the plants the time they needed to fully develop and I was rewarded with the roots you see above surrounded by the green tomatoes that were still growing on the vines. In all, I picked over three pounds of tomatoes and dug up nearly four pounds of sweet potatoes. The large one in the center of the photo weighed over a pound all by itself. Not bad for a vegetable garden that appeared to be nearly lifeless.

I haven't decided what to do with the roots yet. I'm toying with the idea of sweet potato pie, mashed sweet potatoes, sweet potato fries or sweet potato chips. Then again I may do nothing, preferring to hand them over to my mother or sister to prepare for the Thanksgiving feast. It would be the first Thanksgiving that I am able to contribute something from the garden that everyone can partake of. I expect that several of the tomatoes will be ripe by then as well and I'll be able to make a salad for the holiday feast. Some that I had picked green a couple of weeks ago finally ripened to a beautiful red this week and went into my dinner salad so some of these greenies should be ready by the end of the month.

It's moments like this that make all the hard work of gardening worthwhile.


Ballo ergo sum
- Gitana, the Creative Diva

Staying on the Good Foot

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I've been trying hard to keep up with the weekly Card Layout Challenges sponsored by the Oriental Stamp Arts Yahoo Group I belong to but the demands of my job are leaving me with little time and energy for fun things like crafting. I did  manage to complete challenges #171 (top) and #172 (bottom). As always, my style is simple and clean. With images that represent the Asian cultures I believe this is the best approach. I love the simple elegance of Asian motifs so I tend to keep the elements somewhat spare to allow the natural beauty to be seen.

OSA Challenge #17

Challenge #171 required the use of three squares of different sizes to be placed slightly off center with an embellishment of some sort across the top of the card. As I suspected, most participants in the challenge either used three squares of differently patterned paper or stamped three different images on each square. I chose to keep it simple, using a small yellow-green polka dot pattern paper and sponging a slightly darker shade of green ink around the edges of the three squares before arranging them. Then I stamped one image over the three squares. Of course the image did not stamp cleanly, leaving little gaps where the papers overlapped, so I filled in the gaps with a black marker. The swirled background and bamboo branches along the left edge were all stamped with various shades of green. In spite of the multiple patterns on the paper, the overall composition looks light and airy due to its pale monochomatic scheme.

OSA Challenge #172

For the layout in Challenge #172, I turned it on its side and used it in a portrait orientation instead of the original landscape orientation. Again the use of colors is minimal -- black, creamy white and a vintage beige. The background is a piece of pattern  paper that looks like an old Chinese newspaper. The layout required a panel with a verse or sentiment and an embellishment that was anything BUT paper. I chose narrow satin ribbons in black and creamy white and knotted them together in a simple yet interesting way to really play up the contrast of the ribbons against the background and against each other. The kanji symbols in the text box are actually three small stamps that I placed side by side, held together tightly and stamped them all at the same time. I sponged Distress Ink (color - Old paper) which perfectly matched the look of the background around the edges of the white panel and also around the background panel for a subtle effect. The wispy little branch stamp was embossed with superfine embossing powder to make the color really vibrant and contrast strongly against the patterned background. In spite of the strong contrasts, nothing in this layout is overpowering. Everything seems to be working together in perfect balance and harmony.

Ballo ergo sum
- Gitana, the Creative Diva

Tri-Shutter Card

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One of the crafts groups I belong to offers a weekly layout challenge where its members are invited to create a card according to a featured layout. This week's challenge is called a tri-shutter card, an interesting bit of paper engineering that offers myriad possibilities for decorating. Splitcoast Stampers has a great tutorial for this card and you can see it here.

For my first attempt I created a card for my daughter's friend who has been like family to her during their first summer as camp counselors. I was told the young miss prefers "red and green, like Christmas" as her colors of choice so, armed with that information, I began to create. After staring blankly at the paper for an eternity this is what I came up. After all was said and done, I liked it.

The embossed textures and large flowers were done with Cuttlebug folders and dies. The ovals on the front were cut with Nestabilities dies. It is difficult to see from the photo but the red scalloped oval is flocked, giving it a velvety texture. That was achieved with Fun Flock. It is embellished with self-adhesive rhinestones that I picked up at a local 99 cent store. My thanks to Annette Warkentin at About Art Accents for the sentiment stamp which I received as a generous freebie from her. (She's got beautiful stamps and other goodies at her site. Definitely check it out.)

The smaller flowers and leaves were cut with the Empunchlar hand punch system (I don't recommend this particular punch as it has limited functionality). The swirls and flourishes were hand-drawn with gel pens.

Now that I have cut my teeth on this particular layout, I think I will create another one and submit it to the weekly challenge. That one has to have an Asian theme so this red/green card doesn't qualify. No matter, I'll just have to start crafting again. Yippee!

Ballo ergo sum
- Gitana, the Creative Diva

Learning My ATC's

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Sometimes it's the littlest things that make me happy. I recently purchased some watercolor sprays and some clear acrylic stamps with Asian motifs. With my new toys in hand I proceeded to play and decided to make a few ATC's. In case you're unfamiliar with the term, ATC means Artist Trading Card. They are miniature works of art measuring 3-1/2 inches by 2-1/2 inches, the same as baseball trading cards. As the name suggests, they are traded among artists and others as a quick way to disseminate a sample of their art and to network. I love them because they are small, requiring me to work simply and allowing me to work relatively quickly. They also allow me to experiment with new techniques without investing a lot of time and material. If my experiment works, then I have learned something new and have a little work of art in the bargain. If my experiment fails, I may not end up with art but I have nevertheless learned something in the process.

The cards featured here are good examples of this. The background for each was created by spraying various blue and green shades of liquid watercolors onto watercolor paper. I should mention here that watercolor paper is specifically designed for liquid applications. Other types of paper can ripple and curl when wet. I spritzed with a little water then oversprayed with Tulip Sparkle Spray fabric glitter. The glitter is ultra-fine and very subtle. I learned a few things in this process: 1) if you don't dry out the paper between the various liquid sprays you run the risk of having the colors run together and get muddled. (If this is the effect you want, it's not a problem); 2) What appears to be a splotchy mess when wet can turn out to be a beautifully interesting background when dry; 3) I should have sprayed a large sheet of watercolor paper and then cut it down into ATC's. It would have saved time and materials.

In the first card I experimented with two techniques: bleaching and color lifting. After the background dried (with a little help from my heat tool) I stamped the lovely geisha in black pigment ink and embossed with black EP. The leaves and the kanji symbol were stamped in dark green dye ink. I used an Aqua-Flo waterbrush filled with bleach and painted inside the geisha image. All the color disappeared, leaving a nice clean canvas for my coloring which I accomplished with Prismacolor watercolor pencils. I laid down the colors, lightest color first, then blended them together with another Aqua-Flo brush filled with water to create the ombre effect of the kimono. After she was completely colored and dry, I went over the image with a Versamark pen and embossed with clear EP. For the kanji symbol, I lifted the color out by brushing within the image with water then immediately blotting the color while still wet. Each time you do this the color becomes a little lighter, allowing you to control the amount of color you wish to lift out. After I lightened it to my satisfaction I added some green and yellow shading with watercolor pencils. I also added dark blue shading to the diagonal corners of the ATC. I slowly dragged a dark blue Prismacolor marker around the edges, allowing the nib to contact the paper long enough for the color to bleed slightly creating a subtle border.

The second ATC was a learning experience of another kind. After stamping the bamboo stalks in dark blue dye ink, I stamped the fan in gold pigment ink and embossed with gold EP. I intended to bleach out the color from the bird cutouts in the body of the fan. Turns out the ink I used to stamp the bamboo would not bleach out. Of course it wouldn't...it was dye, not watercolor. I didn't think about that. Now I had to find some way to cover up the distracting bamboo stalks that were peeking through the fan. I used gel pens in various shades of blues, greens and aquas and colored in the cutouts, not really expecting a satisfactory result and resigned to chalking this up as a failed experiment. I was happily surprised to find the next day that the gel ink dried opaque so the bamboo no longer showed through the fan. This is one of the those pieces that had to grow on me before I took a shine to it. What I learned from this exercise was patience and faith: the patience to allow the art to mature in its own good time, and faith in my own abilities as an artist to work through an apparent obstacle.

Art offers more than just beauty. It offers life lessons too.


Ballo ergo sum
- Gitana, the Creative Diva