A Little Update

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Because there is going to be some disruptive construction work to address a leaky basement issue in the near future, I have to move all the plants out of the back end of the front garden in order to keep them from being destroyed when work begins. My apple tree is very popular with the local birds and squirrels which have been busy helping themselves to the abundant green apples on the tree. This creates a big mess because they tend to eat a bit of an apple, it falls to the ground, then they move on to another apple. Every day I'm throwing away pounds and pounds of green apples, as well as lots of fallen leaves, when I sweep the yard. All the bending associated with digging, uprooting, replanting, sweeping and collecting has done a number on me and I've been hobbling around with pains in my lower back for over a week. It was so bad one day I didn't get out of my bed. In spite of the pain, I love my garden.  My harvesting has begun and I'm already thinking about what cool weather crops to plant before the frost hits. I suppose I'm a sucker for punishment.

My personal garden show is non-stop and ever surprising. This week I was greeted by white and lavender Rose of Sharon flowers. I never even saw them budding because I was totally captivated by the beautiful caladiums that were showing off at their feet...er... roots. I was also surprised by morning glories on my front fence. Last year they took forever to bloom but this year they came up sooner than I anticipated. And my plum tomatoes are all blushing, leading me to believe I'm going to have a bunch of them ripening at the same time. Mmmm, I see homemade tomato sauce in my future.

In addition to my outdoor activities, I've been working on a baby scrapbook for my youngest grandson. He's already over a year old so I'm frightfully behind on this project but I'm almost done. I'm adding a couple of pages dedicated to his early school days and I didn't have any embellishments that conveyed that schoolroom vibe so, of course, I made some. I created miniature composition notebooks, pencils and a tiny ruler that I will glue onto the scrapbook pages. As usual when I'm making miniatures,

I tend to get carried away and I made way too many for the current project at hand. I made close to a dozen books in 1:12 miniature scale before I realized the proportion was much too small for the pencils which I created without any regard to scale. So I made some more books in 1:6 scale which worked out much better. I glory in the details when I make miniatures so these books contain actual ruled pages that can be turned between the traditional black and white covers. The one inch square grid they're on gives you an indication of their actual size.

Oh yes, I am truly a sucker for punishment.

Ballo ergo sum
- Gitana, the Creative Diva

Learning My ATC's

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Sometimes it's the littlest things that make me happy. I recently purchased some watercolor sprays and some clear acrylic stamps with Asian motifs. With my new toys in hand I proceeded to play and decided to make a few ATC's. In case you're unfamiliar with the term, ATC means Artist Trading Card. They are miniature works of art measuring 3-1/2 inches by 2-1/2 inches, the same as baseball trading cards. As the name suggests, they are traded among artists and others as a quick way to disseminate a sample of their art and to network. I love them because they are small, requiring me to work simply and allowing me to work relatively quickly. They also allow me to experiment with new techniques without investing a lot of time and material. If my experiment works, then I have learned something new and have a little work of art in the bargain. If my experiment fails, I may not end up with art but I have nevertheless learned something in the process.

The cards featured here are good examples of this. The background for each was created by spraying various blue and green shades of liquid watercolors onto watercolor paper. I should mention here that watercolor paper is specifically designed for liquid applications. Other types of paper can ripple and curl when wet. I spritzed with a little water then oversprayed with Tulip Sparkle Spray fabric glitter. The glitter is ultra-fine and very subtle. I learned a few things in this process: 1) if you don't dry out the paper between the various liquid sprays you run the risk of having the colors run together and get muddled. (If this is the effect you want, it's not a problem); 2) What appears to be a splotchy mess when wet can turn out to be a beautifully interesting background when dry; 3) I should have sprayed a large sheet of watercolor paper and then cut it down into ATC's. It would have saved time and materials.

In the first card I experimented with two techniques: bleaching and color lifting. After the background dried (with a little help from my heat tool) I stamped the lovely geisha in black pigment ink and embossed with black EP. The leaves and the kanji symbol were stamped in dark green dye ink. I used an Aqua-Flo waterbrush filled with bleach and painted inside the geisha image. All the color disappeared, leaving a nice clean canvas for my coloring which I accomplished with Prismacolor watercolor pencils. I laid down the colors, lightest color first, then blended them together with another Aqua-Flo brush filled with water to create the ombre effect of the kimono. After she was completely colored and dry, I went over the image with a Versamark pen and embossed with clear EP. For the kanji symbol, I lifted the color out by brushing within the image with water then immediately blotting the color while still wet. Each time you do this the color becomes a little lighter, allowing you to control the amount of color you wish to lift out. After I lightened it to my satisfaction I added some green and yellow shading with watercolor pencils. I also added dark blue shading to the diagonal corners of the ATC. I slowly dragged a dark blue Prismacolor marker around the edges, allowing the nib to contact the paper long enough for the color to bleed slightly creating a subtle border.

The second ATC was a learning experience of another kind. After stamping the bamboo stalks in dark blue dye ink, I stamped the fan in gold pigment ink and embossed with gold EP. I intended to bleach out the color from the bird cutouts in the body of the fan. Turns out the ink I used to stamp the bamboo would not bleach out. Of course it wouldn't...it was dye, not watercolor. I didn't think about that. Now I had to find some way to cover up the distracting bamboo stalks that were peeking through the fan. I used gel pens in various shades of blues, greens and aquas and colored in the cutouts, not really expecting a satisfactory result and resigned to chalking this up as a failed experiment. I was happily surprised to find the next day that the gel ink dried opaque so the bamboo no longer showed through the fan. This is one of the those pieces that had to grow on me before I took a shine to it. What I learned from this exercise was patience and faith: the patience to allow the art to mature in its own good time, and faith in my own abilities as an artist to work through an apparent obstacle.

Art offers more than just beauty. It offers life lessons too.


Ballo ergo sum
- Gitana, the Creative Diva

Full Circle: Lovely as a Tree

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The card featured here was the prototype for a birthday card for my daughter's friend, someone whom she describes as a "tree lover" so she wanted the focal image of the card to be that of a tree. She had seen and liked several tree sketches I had done with oil pastels on the paper I use to protect my worktable. I had been testing several different packs of pastels to determine their viability so I just used the paper that was in front of me. They were only "throw-away" sketches to me (see below) but she liked them enough to "commission" me to draw a tree for her friend's card.

I created the tree on white vellum using Prismacolor fine line markers for the trunk and branches and Sakura Cray-Pas for the leaves, blending the leaf colors with a small wad of paper toweling barely dampened with mineral spirits. I was going to leave it at that but the tree seemed to beg for more surroundings. I started by simply filling in the foreground with regular Prismacolor markers to create the grass, adding details with the fine point markers. Before I knew it, I had created this entire country scene complete with barbed wire fencing and tiny little wildflowers. I added background details with colored pencils and used oil pastels on the back side of the vellum to create a soft sky and clouds. Drawing on the back side softens the effect of the color and also prevents smearing of or blending with the leaves of the tree. (Click on the pictures to see a larger image.)

When I was done I realized that I had combined many of the traditional materials and techniques I had been taught as an art student years ago with the materials and techniques I have recently learned as a papercrafter. It was a very gratifying experience and I was quite pleased with the outcome. Not so, apparently, for my daughter. She loved the scene but said it was not what she wanted for her friend. She wanted the rough draft tree she had seen on my workshop table. So be it. I recreated the rough tree on another card. She put the finishing touches on it and gave it to her friend at school. She reported that he loved his tree card. Although I was initially disappointed that my scene was not to my daughter's liking, it actually turned out to be to my advantage. Now I get to keep the card that was so gratifying to make and draw further inspiration from it.

My present avocation is bringing me right back around to my past training. This grounds me, makes me feel more secure. Life, when it works, truly is a circle.

Ballo ergo sum
- Gitana, the Creative Diva

Asian Influence

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I have always had an affinity for Asian cultures, especially Asian decorative motifs. I recently joined the Oriental Stamp Arts Yahoo group (OSA) and have been inspired by the beautiful artwork created by its members. This week I have begun working on Mother's Day cards with a decidedly Asian flavor.

The first card began with a self-imposed challenge to use a Cuttlebug® die to create something other than for what it was intended . Using the 4-pointed blossom from Cuttlebug's 2x6 Flower die #37-1508 (indicated with a red arrow in the illustration at left), I cut several flowers from a green-gold iridescent vellum, then used the inner cut-outs as leaves for the stylized tree. (I'll save the flower petals for another project.) I also punched small blossoms from the CB 2-step Paisley die in gold foil, then drew in a slender trunk and branches for the tree. An elegant Asian woman was stamped under the tree and colored with water color pencils. The card appeared to lack something so I began to draw in some details by hand and didn't stop until I had created an entire background scene. Two hand fans were stamped on the inside front of the card, also colored with water color pencils. The edge was colored with a marker, deliberately dragging it to give a ragged appearance. This card is a departure from my usual style in that it has very few layers (only two -- leaves and blossoms) and is predominantly hand drawn.

The second card is a variation of a prize winning ATC design I created for a vendor challenge some time ago. I'll give the details of its construction in the next posting.

Thanks for stopping by. I'd love to hear what you think of this post. Please feel free to leave a comment. Thanks.


Ballo ergo sum
- Gitana, the Creative Diva

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