Crunch Time

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Thanksgiving has come and gone and my head is still reeling from the speed with which the holiday season arrived. You would think that by now I would get the hang of this seasonal timing but I seem to be slipping backwards each year. I can almost feel Christmas sitting in my lap already and I haven't done a thing about it yet.


As my To Do list gets longer and longer, it's becoming more difficult to carve out time to make cards but I was able to eke out two simple ones in the last week. When my time gets crunched, I have to do away with frou-frous and work simply and quickly.

First, there is a birthday card for my purple-loving daughter in the Coast Guard who loves all things aquatic. The color choice and theme were obvious and it gave me the opportunity to play with a die set I had not used before, Spellbinders Shapeabilities Nautical Frame and Accents. It features a frame sized for an ATC (Artist Trading Card: 2.5" x 3.5") with a cute little sand castle in one corner, as well as other dies related to the nautical theme such as the wave pattern along the bottom of the card. I embossed the background with Spellbinders M-Bossabilities Sea Beauty embossing folder, then stamped and embossed the sentiment. Simple.

The other card was created for a swap with Oriental Stamp Art (OSA) Yahoo group, of which I am a member. This was part of the monthly Black and One Color swap. Participants make a card using only black and shades of a second color. This month is was red. Again I had the opportunity to play with a stamp set that I had actually forgotten about and never used before, Floral Vine (CS220G) by Forever in Time. I had a small piece of the black and red dragonfly washi paper and layered it onto red cardstock. Stamped the dragonfly from the Floral Vine set onto the red circle with VersaFine Onyx Black ink, then stamped a portion of a swirl from the same stamp set in VersaMark watermark ink and dusted it with PearlEx pigment powder (one of my favorite techniques). I lightly sponged VersaFine Smokey Grey ink around the edges of the circle, layered it onto the card then stuck on some red rhinestone bling in one corner. Again, very simple yet effective.

I'm still hoping to find time to make some Christmas cards to send out. Oh well, one more thing for my To So list.

Ballo ergo sum .
- Gitana, the Creative Diva

Healing Myself through Art

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It happened again. My husband brought home a bug and infected everyone in the house. He got over it in a few days. I, on the other hand, have been feeling lousy for a week. Although I'm grateful that I have no coughing, little sneezing and no fever, the lethargy I am experiencing is awful. Normally I am an energetic person with a hundred and one things to do and a hundred more that I want to do. When I'm feeling this dragged out and blecchh, I do only those things  that comfort me and for me that's art.

 I completed these two cards this week. The pink and black card is for a Black and One Color swap and will go to one of my fellow Oriental Stamp Art members who lives in Australia. The layout is simple and clean and contains many of the elements I love most - high contrast, silhouettes and just a touch of bling.

The blue monochromatic treescape was made as a thank you card for our upstate neighbor who has been like a godfather to us, helping us out with just about anything we needed with the house we have purchased up the road from him. The bare trees remind me of the mountains that surround us in upstate New York. In my last post, I posted a photo of the first area snowfall as seen from the deck of our home and served as the inspiration for the card. It is a one layer card created with masking and sponging techniques as well and multiple stamping to create the forest. Again, it is simple in its layout but conveys a sense of serenity and calm. It also is suitable for a man, something that I struggle with most times because I love using more feminine touches.

These two cards, along with massive amounts of chicken soup and rest, have been my medicine. No doctor visit, no prescriptions and no co-pay. Can't beat that.


Ballo ergo sum
- Gitana, the Creative Diva

Creating heals. Sorta...

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So I've been sick for the last four days with what is either a very bad cold or a very mild flu. It isn't bad enough to keep me totally bedridden but it's annoying enough to leave me without much energy. I had to forgo my dance class today, something I really didn't want to do, which underscores the level to which I am sick. Next to nothing keeps me from a dance class. Thankfully I have been lucid enough at times to venture into my craft workshop and make up a couple of cards.

"Celebrate You" was created in honor of my sister and brother-in-law's 29th wedding anniversary. It was made in shades of white and iridescent ivory and accented with tiny bits of black and gold bling. Materials used were: Spellbinders Borderabilities A2 Curved Borders One die, Memory Box Vivienne Butterfly die (style #98265), Stampin' Up Elegant Lines Embossing Folder (retired), Celebrate You stamp by Stampin' Up (retired). Flowers, pearls and mini bling from my stash.

"Center Your Heart" was created for the Oriental Stamp Art (OSA) Yahoo Group's weekly layout challenge. The challenge for this week was to create a card similar to this one that also adhered to the basic rules for the weekly challenge, those being that the card must be Oriental in nature and must contain at least one stamped image. This was my best attempt. Actually it was my only attempt. I was lightheaded and fatigued as a result of my not-quite-the-flu symptoms but I liked the challenge so much that I muddled through until I finished it. I'm so glad I did. Creating a card, however simple, gives me a satisfying feeling of accomplishment. It goes a long way to combating the feelings of uselessness I get from spending a day slopping about in pajamas and generally feeling like...like...bleeechh!

Yeah, okay. It's time for me to crawl back into bed again.

Ballo ergo sum
- Gitana, the Creative Diva

OSA Swaps and Challenges

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OSA Crane Swap 2014

OSA Layout Challenge #263

One of the challenges of working from home is the lack of interaction with other like-minded individuals from whom you can learn and draw inspiration as well as share ideas, news and techniques. Years ago, in an effort to combat this artistic isolation, I became a member of Oriental Stamp Arts Yahoo Group, a wonderful group of people who share a love of rubberstamping, card making and Oriental motifs. These people are wonderfully supportive and welcoming to everyone, no matter what their level of expertise, something I sorely needed when I was a newbie to the world of rubber stamping techniques. 

One of the great things about the group is the card swaps and layout challenges that are held on a weekly and monthly basis. This gives those of us who wish to participate the opportunity to practice our craft and share our work with others of our ilk. Recently I have tried to participate as much as I can in order to get my idle hands back into the rhythm of papercrafting and you can see those efforts in my previous posts here and here. Above are photos of my most recent cards. The green crane card was made for a swap in which I had to make four identical cards with a crane motif and send them to the swap hostess. In return I will receive crane cards from four other artists participating in the swap. In this manner we are able to physically exchange,or swap, our work. It's a great way to compare your work against that of others and see what techniques others use to create their cards.

The butterfly card was made for a weekly challenge in which we had to create a card that conformed to a layout selected by the challenge hostess. These challenges involve photographing our work and posting them on the OSA Yahoo group site for all to see and comment. No physical swapping of cards occurs. It never ceases to amaze me how many different interpretations people can come up with, some of which would never occur to me. It's a great way to learn new things.

I hope to participate in more swaps and challenges as time permits and I will post those images here. If you have any questions about the materials or techniques I used to create a card, please feel free to send me a message and I'll be happy to answer your questions. 

Until then, happy crafting. 

Ballo ergo sum
- Gitana, the Creative Diva

OSA Crane Swap – 2014

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As I said in one of my recent posts, I'm making an effort to create more cards through the OSA weekly layout challenge. (Click here to read that post.) Each week a winner is randomly chosen from the participants in that week's challenge to win a small prize. My card at right featuring the Asian fans was chosen as a winner and my prize was a set of acrylic stamps from Mark's Finest Papers and Stamps (Birds of the Orient 2014) that featured cranes and Asian kanji symbols. Inasmuch as I only had one crane stamp that had already gotten quite a bit of use, I was thrilled to receive some more cranes. In order to put some mileage on my new stamps, I was invited to join OSA's Crane Swap 2014 by its hostess, Margo Seegrist.  Below is the card I created for this swap. This card also gave me the opportunity to work with a wonderful new cutting die I recently purchased. The details on all the materials used in this card are below. 

Please feel free to comment below if you have any questions on how either of these cards was created. I love getting feedback. 

OSA Crane Swap – 2014

Stamps:

  Crane, kanji: Birds of the Orient 2014, Mark’s Finest Papers & Stamps

  Bamboo:  Asian Influences, Inkadinkado #97616

Ink:

  Versafine Onyx Black

  Whispers Apple Green

  Versamark Dazzle Champagne

Flourish die cut: Viney Swirl, Hot Off The Press #5319

Polka Dot Background: Michael Miller Memories Fabric Paper (discontinued)

Base Card: Die Cuts With A View Street Lace Box of Cards

Self Adhesive rhinestones in various sizes

Ballo ergo sum

- Gitana, the Creative Diva

OSA Weekly Challenge #261 - Sunburst

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This week's Oriental Stamp Art weekly challenge was to create a card using a sunburst or starburst pattern. I chose a pallette of cream, gold and black. I created the rays out of various papers in shades of cream and placed them on a gold paper with an embossed brocade pattern allowing the gold underneath to show between the rays. The coin pattern was stamped in clear Versamark watermarking ink and dusted with gold Pearl-Ex pigment powder to echo the look of the three Asian coins in the central motif. What I like about this pattern is that it can be used in either portrait or landscape orientation as I've shown here.


Ballo ergo sum
- Gitana, the Creative Diva

Trying To Get Back Into the Swing of Things

OSA Challenge #260

OSA Challenge #258

 I haven't been playing as much in my craft room as I prefer to and, frankly, I have missed it terribly. Life just kept getting in my way, focusing my attention on things other than my crafting. Recently I have been making a dedicated effort to making at least one card a week, just to keep my hands and mind moving. Sometimes, though, try as I might, I have a hard time coming up with an idea for a card and I end up wasting a whole lot of time futzing around and not coming up with anything. It was time to call in the reinforcements which, in this case, meant drawing on my network of fellow card makers at the Oriental Stamp Art (OSA) Yahoo Group that I haven't reached out to in years. There is a weekly layout challenge that gives you either a theme or an actual layout to use as inspiration in creating a card that is Oriental in nature and contains at least one stamped image. This is exactly what I needed, something to get my creative juices flowing and keep me focused on completing a project without having to come up with something totally new and original on my own.

OSA Challenge #259

Here you see my interpretations for the last three weekly challenges. I loved doing them and the regulars in the group welcomed me back with open arms and hearty compliments on my work. This is exactly the jump start I needed to keep my engine running. It felt so good to create something. Too good perhaps because life jumped up in my face again with more plans to divert my attention. This time it was flooding in my basement work room...three times in a week. Let's see how I can juggle this latest challenge and still find a bit of time to craft.

Ballo ergo sum
- Gitana, the Creative Diva

OSA Layout Challenge Cards

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 In spite of the grueling schedule I have had to keep at work this past week, I managed to eke out  time to craft some cards for the weekly Oriental Stamp Arts challenges. I consider it art therapy to battle work-related stress.

For the card on the left, OSA Challenge #173, our challenge was to create a window card according to the layout provided.  This is a card with an aperture cut out to reveal part of the inner card design. For my card I chose fans and gingko leaves. They are a natural pair inasmuch as they have the same general shape. I stenciled the gingko leaves on the outer card layer using a 6" x 6" template from The Crafter's Workshop. The fans stamped on the inside of the card were colored with Prismacolor art pencils and highlighted with glittery gel pens. The fans were then masked and sponged with ink to create the soft green shading all around them.

For OSA Challenge #174, we were asked to make a card using a printed napkin as part of the decorative elements of the card. I decided to give myself a double challenge by also creating a card in a out-of-the-ordinary format. Because I enjoyed creating the twisted easel card for my daughter's graduation so much, I decided to use that format again. I am very happy with the way this card turned out and apparently the moderator for the OSA weekly challenges liked it enough to make the twisted easel format the subject of OSA Challenge #175.

I chose a circular rice paper napkin with a beautiful blue floral border for my card, spray glued it to a piece of white card stock, cut it into quarters and trimmed close to the edge of the image. A piece of gold-dotted handmade paper was layered onto the top of the card and a quarter of the napkin glued on top of it, trimming it as necessary to create the look as seen in the photo to the left. My biggest challenge was trying to get the flowers on the inside of the card to form a continuous semicircular image. I ended up cutting out and individually placing flowers for optimal results. I managed to use to rosebuds from the image as the stops for the upper 'easel' panel by placing foam squares behind them. The kanji symbol for summer on the upper panel is echoed by its English translation on the lower panel. Strategically placed gold Asian motif stickers, as well as some tiny golden dragonflies, coordinate well with the gold dotted background.

The beautiful butterfly is cut with coordinating Memory Box dies, one for the upper veins and another for the lower body. The body was cut from blue card stock and colored with pigment inks and gel pens. When I first got these dies, I loved them so much I cut and colored a bunch of butterflies just for the love of it so all I had to do was reach into my RTU (ready to use) stash and pick one out for this card.

Ballo ergo sum
- Gitana, the Creative Diva

Staying on the Good Foot

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I've been trying hard to keep up with the weekly Card Layout Challenges sponsored by the Oriental Stamp Arts Yahoo Group I belong to but the demands of my job are leaving me with little time and energy for fun things like crafting. I did  manage to complete challenges #171 (top) and #172 (bottom). As always, my style is simple and clean. With images that represent the Asian cultures I believe this is the best approach. I love the simple elegance of Asian motifs so I tend to keep the elements somewhat spare to allow the natural beauty to be seen.

OSA Challenge #17

Challenge #171 required the use of three squares of different sizes to be placed slightly off center with an embellishment of some sort across the top of the card. As I suspected, most participants in the challenge either used three squares of differently patterned paper or stamped three different images on each square. I chose to keep it simple, using a small yellow-green polka dot pattern paper and sponging a slightly darker shade of green ink around the edges of the three squares before arranging them. Then I stamped one image over the three squares. Of course the image did not stamp cleanly, leaving little gaps where the papers overlapped, so I filled in the gaps with a black marker. The swirled background and bamboo branches along the left edge were all stamped with various shades of green. In spite of the multiple patterns on the paper, the overall composition looks light and airy due to its pale monochomatic scheme.

OSA Challenge #172

For the layout in Challenge #172, I turned it on its side and used it in a portrait orientation instead of the original landscape orientation. Again the use of colors is minimal -- black, creamy white and a vintage beige. The background is a piece of pattern  paper that looks like an old Chinese newspaper. The layout required a panel with a verse or sentiment and an embellishment that was anything BUT paper. I chose narrow satin ribbons in black and creamy white and knotted them together in a simple yet interesting way to really play up the contrast of the ribbons against the background and against each other. The kanji symbols in the text box are actually three small stamps that I placed side by side, held together tightly and stamped them all at the same time. I sponged Distress Ink (color - Old paper) which perfectly matched the look of the background around the edges of the white panel and also around the background panel for a subtle effect. The wispy little branch stamp was embossed with superfine embossing powder to make the color really vibrant and contrast strongly against the patterned background. In spite of the strong contrasts, nothing in this layout is overpowering. Everything seems to be working together in perfect balance and harmony.

Ballo ergo sum
- Gitana, the Creative Diva

Getting Back Into The Swing Of Things

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My two year stint as the arts and crafts instructor at the Dorchester Senior Citizens' Center was a wonderful experience. Working with and getting to know those seniors was truly inspirational as well as educational. I learned much about the process of conceiving, creating and implementing a crafting session but I think I learned even more from the seniors themselves. This period was an investment of time and effort that rewarded me over and over again. I have been blessed me with many new friends and it is a time I will never forget.

There was one downside to this experience. The time and energy I expended on the senior crafting projects meant there was less time for me to create for myself and engage in the artistic comradeship I enjoyed with my fellow members of the Oriental Stamp Art Yahoo Group. Participating in swaps and weekly challenges was something I had truly enjoyed and sorely missed. Now that I am no longer crafting for the senior center, I have more time to spend in those pursuits that I enjoy and so I have stuck a creative toe back in the water and have begun participating in the weekly challenges again. So far I have done two challenges (see photos) and already I can feel that familiar feeling of creative electricity coursing through me. I am looking forward to participating in some swaps in the future and continuing my artistic journey to wherever it may take me.

Ballo ergo sum
- Gitana, the Creative Diva

My Thursday Tip

Oriental Stamp Arts, the Yahoo group to which I belong, solicits tips and tricks from its members every Thursday. One tip is selected from among the entries for a weekly prize. One recent tip that I submitted was seen by Nancie Waterman, the editor of Vamp Stamps News (http://www.vampstampnews.com) who contacted me for permission to publish my tip in the June 2010 issue which I granted. I never thought my little tip, discovered quite by chance, would garner so much attention. Read it below.

When using acrylic stamps, I have found that when I'm stamping a verse or image that is long and thin, it is difficult to get the stamp to cling in a straight line. It always seems to curve ever so slightly up or down when I try to lay it on the mount. By chance I discovered that if I lay the stamp face down on my cutting mat, the grid lines help me align the stamp properly. Then all I have to do is lower the stamp mount onto the stamp and, presto, it's straight.

I hope you find it helpful. Thanks for stopping by.

Ballo ergo sum- Gitana, the Creative Diva